EDITED BY LISA PATTI
Image: "Better than Ever" (detail), Nicholas H. Ruth, 2017
TABLE OF CONTENTS
Part I. New Frameworks for Writing about Screen Media
Lisa Patti
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1. Introduction
(Still) Learning to Write about Screen Media
How to Read This Book
In Practice
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2. The Big Picture: Strategies for Writing about Screen Media
Collaborate
Frame
Curate
Follow (up)
In Practice
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3. From Screen Aesthetics to Site Design: Analyzing Form Across Screen Media
Taking Notes
Close Readings: Case Studies
In Practice
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4. Entering the Conversation: How and Where to Develop a Critical Argument
What is an Argument?
Thinking on the Page: Free Writing
Structuring Your Argument: Outlines
Setting the Scene: Introductions
Telling a Story: Evidence
Making a Last(ing) Impression: Conclusions
In Practice
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5. From Notebook to Network: When and How to Use Digital Tools
Digital Resources: Reading, Watching, Writing
In Praise of Paper
Citation
Fair Use
In Practice 
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Part II. Writers on Writing about Screen Media
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OBJECTS AND EVENTS
6. Writing about Transnational Cinema: Crazy Rich Asians
Olivia Khoo
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7. Capturing Moments: Writing about Film Festivals as Events
Kirsten Stevens
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8. Writing about Experimental Cinema: Andy Warhol’s Empire (1964)
Glyn Davis
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9. From Meaning to Effect: Writing about Archival Footage
Jaimie Baron
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10. Making the Absent Present: Writing about Nonextant Media
Allyson Nadia Field
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11. Expressing Race in Brazilian Telenovelas
Jasmine Mitchell
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12. Writing about Music Video: Tracing the Ephemeral
Carol Vernallis
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13. Writing Across Divides: Locating Power in K-pop Music Videos
S. Heijin Lee
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14. Playing to Write: Analyzing Video Games
TreaAndrea M. Russworm and Jennifer Malkowski
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15. When It All Clicks: Writing about Participatory Media
Lauren S. Berliner
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16. Feeling Out Social Media
Julie Wilson and Emily Chivers Yochim
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17. "A Very Black Project": A Method for Digital Visual Culture
Lauren McLeod Cramer
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18. Writing about Transnational Media: From Representation to Materiality
Fan Yang
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19. Writing about Digital and Interactive Media
Dale Hudson and Patricia R. Zimmermann
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20. (Un)Limited Mobilities
Rahul Mukherjee
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21. Context is Key: How (and Why) You Should Write about Outdoor Advertising
Beth Corzo-Duchardt
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METHODS AND LOCATIONS
22. How Sound Helps Tell a Story: Sound, Music, and Narrative in Vishal Bhardwaj’s Omkara
Nilanjana Bhattacharjya
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23. Writing Outside the Text: A Cultural Approach to Exhibition and Moviegoing
Jasmine Nadua Trice
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24. Writing about Streaming Portals: The Drama of Distribution
Ramon Lobato
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25. Analyzing and Writing about Credit Sequences
Monika Mehta
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26. "We Are Not Thinking Frogs": The Archive, the Artifact, and the Task of the Film Historian
Katherine Groo
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27. Show Me the Data!: Uncovering the Evidence in Screen Media Industry Research
Bronwyn Coate and Deb Verhoeven
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28. Researching and Writing Across Media Industries
Derek Johnson
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29. The Value of Surprise: Ethnography of Media Industries
Tejaswini Ganti
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30. Listen Up!: Interviewing as Method
Alicia Kozma
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31. The Need for Translation: Difference, Footnotes, Hyperlinks
Tijana Mamula
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FORMS AND FORMATS
32. Words and More: Strategies for Writing about and with Media
Virginia Kuhn
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33. Best Practices for Screen Media Podcasting
Christine Becker and Kyle Wrather
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34. Confessions of an Academic Blogger
Henry Jenkins
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35. The Research and the Remix: Video Essays as Creative Criticism
Jeffrey Middents
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36. Foregrounding the Invisible: Notes on the Video Essay Review
Chiara Grizzaffi
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37. Review, Edit, Repeat: Writing and Editing Book Reviews
Alice Leppert
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38. Extracurricular Scholarship: "Writing" My Audio Commentary of Losing Ground
Terri Francis
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39. The Short, Sweet Art of Blurb Writing
Leah Shafer
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40. Bridging the Gaps Between Scholarly Essays and Mass-Market Film Writing
Nick Davis
41. Writing Across the Page Without a Line
Holly Willis
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